Where has Sheherezade gone?

Today I shared excerpts from Azar Nafisi's memoir, 'Reading Lolita in Tehran', as a supplement to Marjane Satrapi's 'Persepolis'. I realized in the sharing that I am so in step with the feminine voice, especially the voice that has overcome the oppressive silence that the patriarchy has imposed on it. This is the voice of defiance and of regeneration, of cheeky instigation and that weighty mythological archetype of eternal justice: the Furies!  

I'm entirely concerned with and about the suppressed female voice: Why are there so few story tellers from the Arab world, for example? Where has Sheherezade gone? She told her stories as a means of escape and survival. I would argue that more important than duping her captor, Sherherezade crafted life in her stories. She revived humanity. So what happened to the rest? Have they given up?

To be fair, when I asked this question, I was given one title 'The Forty Rules of Love'. It was a beautifully written book that reincarnated Rumi. Still, I find such a deficit there.

 

If I were able to go back to school and even think about a master's thesis, I think I would focus my study in this space. I'm highly interested in female memoir-based literature: Mary Karr (my inner Texas voice), Anne Lamott, and Andrea Gibson (spoken word). I love Mary Shelly and Christina Rosetti, too, and am happy to go old school.  

Maybe some day. Maybe.

Keats meets the Beatles

We were on our way to Keats's House in Hampstead Heath stuck in a line of traffic. On our bus, the kids, having been still for an hour of travel, had fallen into a stillness, the hum of hushed voices accompanied the motor's reverb. It was drizziling, as usual, and our dream of picnicking on the Heath  for lunch and going on a nature walk  (in search of Keats's elusive voice, naturally) was soaked to the bone, and we only hoped the day would be worth it - the speaker somewhat animated, the house, at least, warm.

It was in this silent moodiness that we weaved our way through the London burroughs, expecting to once again be delayed by the choked London traffic that always makes everything irritable. We had been tracking our progress via satellite on our phones. Only 26 minutes until we arrive. No. Make it 28. Will we be late? Should we call?

Suddenly, my colleague turned to me and said, "Hey. This is Abbey Road." As the understanding was realized, she stood up and addressed the bus. "We're crossing Abbey Road right now! This is it! The famous Beatles album cover!" And the hubub got louder. Exclamations of "Cool!"  and "We're on Abbey Road!" and "take a Facebook photo" mingled into liveliness  as we passed.  And all of a sudden we were smiling. Because how cool is that?  

Of course there was no marker on the road. We didn't see the ghost of John Lennon and Paul McCartney was nowhere to be found. In fact, if we had zoomed out from our own experience, we would've had to acknowledge that we were among thousands who would cross the intersection that day without a second thought. But in the moment, and zoomed in tightly to our own little existences, we were happy and joined together in shared experience. 

The rest of the day was amazing.